In this studio visit and art studio tour, we step inside the extraordinary creative studio of Stanley Casselman — an artist who left Brooklyn for Jersey City and was told it would be artistic suicide.

When Stanley told people he was moving, even his own family questioned it.
“You can’t get people to Brooklyn,” they said. “How are you going to get them to Jersey City?”

Then he found this place.

A converted cigarette factory with fourteen foot ceilings, massive freight elevators, and enough raw industrial space to build tools eighteen feet wide just to move paint.

Stanley Casselman doesn’t think of himself as a painter.
He thinks of himself as someone who plays with clay.

An economics major turned artist, he builds his own tools, pushes paint through mesh screens, and creates works with twelve thousand connections per square inch. Paint that exists on both sides of the surface. Paint that penetrates.

This studio tour reveals a process built on experimentation, scale, and risk.

This isn’t about what’s good.
It’s about what’s magnificent.
What moves the needle.
What makes someone stand in front of a painting and feel something shift.

“I’m Stanley Casselman. Welcome to my studio.”

This is Where They Create.


Describe your ideal workspace in three words.

North. High. Flat.

North refers to northern light. High refers to high ceilings. Flat refers to flat floors.

Where did you find the courage to follow your own path, especially when safer options were available?

When I realized I was going to live my life as an artist, there really was no plan B. That might sound ridiculous, but I knew it was tantamount to getting married. Till death do us part, for richer, for poorer, in sickness and in health. That is my commitment to my life, which is making art.

Did you experience any learning challenges growing up? If so, how have they shaped the way you think or make art?

I was probably attention deficit disorder as a kid, but when I grew up it was not really diagnosed. My issue was focus.

I was often a daydreamer in school. I am still that same little kid, that same dreamer, wondering about what is around the corner that I cannot see.

What is the best advice you have ever received?

Quite simply, invest in yourself.

Which is to say, do not look for outside means to bring you fulfillment or money or whatever it might be. Go inwards. Focus on yourself from the inside out in order to transform yourself.

Has there been a time in your life you almost stopped making work? What pulled you back?

There has never been a time in my life that I have stopped making work, except when I physically cannot, which has always related to travel.

If I go see friends for a week, I might not make work for a week. But hardly a day goes by that I am not thinking about making work.

Fortunately, circumstances have never stopped me.

What is one practical productivity habit that genuinely keeps you working?

The brief stretching and meditative exercises I do in the morning.

When you feel scattered or blocked, what do you do next to reset?

I go out and look at art. Literally. I go to galleries or a museum. That always re energizes me and gets me focused.

What is something in your space that might surprise someone?

The devices I paint on, which are called box beam roller frames.

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