Meet Ariel Mitchell — a painter whose work resonates with quiet vitality and layered emotion. It’s always a surprise stepping into someone’s creative space—you never know what will be revealed. Ariel welcomed me into her home studio with warmth and generosity, offering a deeply visual and intimate glimpse into her creative world. The canvases that fill her studio are expressive and alive, reflecting a practice rooted in stillness and intuition. During our conversation, Ariel shared rich insights into her artistic journey—how she balances intention with spontaneity, and how rhythm and presence guide her brush. I’m delighted to bring this beautiful portrait of her creative process to you.
What’s something that might surprise me about your space?
Besides painting, I’ve used the space to curate group shows. It’s a white box, so it has a lot of potential.
Describe your ideal workspace in three words…
Light, elegance, silence.
What’s the best advice you’ve received?
Don’t think too much.
What’s the most practical productivity tip you can share with a fellow creative?
If you can make it light, you’ll be more sensitive to the infinity of your medium. Sometimes it just needs time. And if you need to, take naps.
What do you do to center yourself and regain focus?
For a quick fix, I turn whatever I’m working on 90 degrees. Then I take a picture of it and look at that—it’s like instantly stepping back 20 feet. It helps me see the entire painting. I also take naps. And sometimes, I just leave for the day.
Did you experience any learning difficulties as a child, like ADD or dyslexia? How did you cope and push through?
I didn’t have learning difficulties per se, but I do live with depression and anxiety, which deeply impacted my school years. I spent a lot of time alone as a child. When I got older, I started seeing a therapist who suggested I try medication—what a lifesaver. I really appreciate this question. I’m an advocate for better mental health access. Being able to see outside of your feelings is healing.
What can you see out your windows?
For a long time, it was a lumber yard. That was great, because the river was just behind it, offering an amazing view of downtown Manhattan. Sunlight poured in and I could watch boats go by. Now, though, there’s a brand-new 20-story high-rise going up, so I look straight into someone’s apartment.
What’s your favourite song or band while working?
Lately, I’ve been listening to a lot of pop—Lady Gaga, Lizzo, Beyoncé. I mix that with podcasts (Ezra Klein and Chani are favorites), electronic music, and classic jazz. I recently discovered Alabaster DePlume—his music is hypnotic and great to work to. Also, Land of the Loops.
What’s your most essential artist’s tool?
Besides my arsenal of paint brushes, it’s a thesaurus. I use one when titling my work. I build my paintings like I would a poem or an essay—starting with a vague idea, refining, deleting, repeating. A thesaurus helps define the context I’m trying to get across.
What’s the one practice that has changed your life the most?
Mothering. Becoming a mom—as all moms know—is wild. I thought it would end my career or make me lose my love for painting. But the opposite happened. I’m more creative than ever. I even keep some of my daughter’s art in the studio for inspiration.
What’s one life lesson you wish you’d learned earlier?
Relax. It will be okay.
